Right now, the game is in active development and what you’re playing is the very first public demo. I’m eager to hear your honest thoughts and any suggestions you might have. Every bit of criticism helps shape the final game into something better and more exciting.

If you enjoy what you see and want to support the game’s journey, consider backing it on my Patreon page. Check out https://www.patreon.com/yurrri to find out how.

I hope you’ll find the gameplay engaging and the story intriguing enough to keep you coming back for more. As this is just the beginning, expect new content, features, and surprises to be added regularly.

Jump in, explore the world, experiment with the mechanics, and don’t hold back on giving your honest impressions. Your voice truly counts in shaping this into something memorable and unique.

Thank you for taking the time to try this early version. Enjoy what’s here now and watch as the adventure grows bigger and bolder with every update.

The first thing that hits you is the sound. Or lack of it. Just wind and this low, constant hum that could be a generator or something worse. Sophie’s breathing. You click and she moves through dead grass taller than her waist, past a rusted car with its doors hanging open like broken wings. The art is rough, I mean really rough, like someone sketched it during a power outage and decided fuck it, that’s the style now. But somehow it works. The janky lines make the zombies look more wrong, their bodies twisted in ways that don’t make anatomical sense. One had its jaw hanging by a strip of what I guess was tendon, and the CG when you fail a choice is... detailed. Uncomfortably detailed. The kind where you can almost smell the rot.

Then you meet another survivor and suddenly it’s not just about not dying. The visual novel part kicks in and the choices get messy. Do you share your last clean water? Do you trust the guy with the nervous twitch who keeps looking at Sophie’s legs? The hentai scenes aren’t just tacked on, they grow out of these fucked up situations. There’s one in a half-collapsed pharmacy where the tension before anything happens is thicker than the actual act. The dialogue is translated from something, the grammar trips over itself sometimes, but that broken English adds this layer of alienation that fits the zone perfectly. Like language itself is decaying.

The survival mechanics are barely there, honestly. A hunger meter that pops up when the script remembers it exists. I spent ten minutes trying to combine items in my inventory before realizing you can’t, the game just decides when you have the right stuff. It’s annoying but also, whatever, I’m here for Sophie’s bad decisions and the way her tank top gets progressively more torn. There’s this one branching path near the old school where everything goes to hell no matter what you pick, and the game doesn’t pretend otherwise. It just shows you the consequences in that scratchy, almost ugly art style and waits for you to click continue. The horror isn’t the monsters. It’s what you’ll let happen to survive another hour in this place.