Alright so I fired this up on my phone while waiting for the bus, right, and the first thing that hits you is the voice acting. Peaches sounds exactly like you'd expect, all high pitched and breathy, but then when the goblins show up it gets weirdly hot? The sound design is basic but the wet noises, god. You know exactly what's happening even when the animation loops get a bit janky.

The story is whatever, Mahrio and Peaches are hopping between worlds and she's sick of sewers. I don't blame her. But then they end up in this goblin cave and suddenly it's not about castles anymore. The narration kicks in describing everything she's feeling and it's surprisingly filthy. Like, detailed descriptions of what the goblin tongues are doing. I actually laughed when Mahrio just stands there in the background while three goblins take turns. The domination tag is no joke here, she goes from complaining about pipes to begging for it real quick.

The AI art is... inconsistent. Some scenes her face looks perfect, that classic Peaches look, then the next angle her eyes are doing that thing AI does where they don't quite match. But honestly when there's a goblin in her mouth you're not looking at her eyes. The anal scene caught me off guard though, wasn't expecting them to go there with a Mario parody. The fantasy setting means they can do whatever I guess. Voice acting during the blowjob scenes is what kept me going, she actually sounds like she's struggling which is either good acting or the VA was genuinely uncomfortable. Either way it works. The monster designs are basic green goblins, nothing special, but they're hung like horses which is probably the point. The whole thing feels like someone's very specific fantasy they just decided to make real, and I respect that. Just wish there was more variety in the positions, it gets repetitive after the third goblin. But that first scene where she's bent over the pipe? chef's kiss. The soundtrack is just generic fantasy loops, nothing memorable, but you're not here for the music.

The Insexibles, chapter one. Right. So it's basically "what if the boys in tights got absolutely wrecked before the main event," and you're the one doing the wrecking. You play some dude who builds a robot, a custom bot you slap together from parts, and then you send it out to... deal with superheroes. Deal with them in a very specific, very wet way. The whole corruption tag is the main course here, watching these powerful women get their minds and bodies turned into something else.

The sandbox bit means you're not just clicking through text. You're actually building this machine, choosing what to upgrade, which changes how the fights go down. The combat is turn based, which sounds normal until you realize what "defeat" looks like. A victory isn't just a KO, it's a deepthroat training session with an internal view camera that shows everything. Like, choking, cumshots, the whole anatomy lesson. The first big fight ends with this animated scene that's... look, the animation is deliberately unpolished, like a sketch that moves, but somehow that makes the whole thing dirtier? It's got this raw, almost wrong feeling that slick 3D renders never capture. There's one moment where the heroine's eyes go all vacant mid-blowjob and the robot just keeps going. Chef's kiss.

I wish the dialogue had more of that unhinged energy. Sometimes it's just functional, getting you from A to B. And the male protagonist is basically a pair of hands and a sinister chuckle, no real personality. But then again, do you really need a deep backstory for the guy who invented a deepthroat drone? Probably not. The multiple endings thing is a promise for future chapters, so right now you're just left with one really sticky conclusion and a lot of questions. What I wouldn't give for a DLC that lets you customize the robot's... attachments. More spikes. For reasons. Anyway, the big tits and big ass are present and correct, the male domination is absolute, and the whole thing feels like finding a weird, stained comic book in a back alley. That's a compliment.

Right so the agency recruiter, she's got this smile that doesn't quite reach her eyes, and I'm thinking, okay, standard corporate weirdness. But then you're in the studio, camera in hand, and the first model starts her shoot. The way the lighting shifts in this game, the subtle changes in her expression when she notices you're looking a little too long. It's not just a static scene. It's like the devs coded actual tension into the pixels. There's this one moment with a model named, I think, Clara? She's doing a basic pose on a chaise lounge, and if you angle the shot just right, you catch a glimpse of the director in the two-way mirror behind her, just watching. Total voyeurism vibe, but you're the one being watched too. Creepy as hell and honestly, the best part.

The whole 'secret experiment' thing, they mention 'ultimate beauty' in the blurb but it's way more body horror meets erotic thriller. You start noticing things. A mole on a model's thigh is gone the next day. A shy girl's chest goes from a B-cup to something that defies physics in the span of what, a week? Game time, I mean. And the protagonist, this dumbass photographer, is just. I don't know. He's busy getting a handjob from his landlady while his phone buzzes with a text from his actual girlfriend. I spent way too long on that scene. The animation's janky, don't get me wrong, but the fumbling, the zipper sound getting stuck. It's so awkward it loops back to being hot.

My biggest gripe is the transformation stuff sometimes just. happens. You'll load a new day and a model's dresse size has changed with zero explanation, and you're supposed to just acceppt it. Drives me nuts. But then you get a scene where the makeup artist, a total MILF, is 're-touching' a model after a shoot, and it turms into this intense masturbation session while you're hiding in the wardrobe, and you forget all about logic. The creampie finish during the 'private shoot' with the agency's top star is what you'll be screenshotting, though. Her expression shift, from that practiced model pout to something real, is uncanny.