That tracking mechanic is a sick joke that actually works. Every time you check your phone in this near future hellscape, it's not just notifications. It's ads for the exact type of girl you were staring at thirty seconds ago. Clever. Creepy. Totally on brand for what this thing's selling.

The cutscenes though. Jesus. Someone in that animation studio needs to learn what anticipation means. Characters snap between poses like action figures being posed by a caffeinated toddler. Her hand goes from her hip to her chest and you see none of the in between. It's jarring. But then the teasing scenes start and suddenly the animators remembered their jobs exist. Slow leans forward. That little head tilt when she's about to say something devastating. The way her lips part just before she calls you out for staring at her chest. Which you were. The ad algorithm knows.

Saw a mod on the forums that replaces all the billboard textures with increasingly unhinged personal ads. Someone's ex girlfriend's phone number showed up in one. Can't verify if it's real but the commitment to the bit is impressive.

Wish the protagonist had more going on behind those dead fish eyes. He's got the emotional range of a cardboard cutout and the dialogue options don't help. You can either be oblivious or aggressively oblivious. The women carry every scene. Especially the redhead with the thigh highs who keeps "accidentally" dropping things. We get it. You're flexible. The physics on those assets are doing heavy lifting the writing should be doing.

The future setting is mostly window dressing for the ad gimmick but there's one moment where a holographic pop up blocks your view during an intimate scene and I laughed harder than I should have. Intentional comedy? Probably not. But it's the most human moment in the whole thing.